Wednesday, February 24, 2010

5. Kat Yang - Emulation/Imitation

I chose some of Van Gogh's works. This was definitely a challenge since Van Gogh is about the texture and movement of his colors, and I am about flat awkwardness with my pencil. There is definitely something lacking in my emulation of the post-man looking guy, and I'm not just talking about the facial hair.

Van Gogh's Vase With Violet Irises Against a Yellow Background



Van Gogh's The Lover: Paul-Eugene Milliet

I decided to make a younger, more clean-shaven version of Paul-Eugene. Those whiskies are pretty daunting.

I agree with Benjamin that works of art are associated with an aura; they are best understood in context, whether it be the context in which it was created or the context in which it is admired. I don't think my imitation/emulation really has an "aura" around it though. I don't believe they really capture nuances that weren't covered by the original works themselves. Mechanical reproduction really has revolutionized what is "original" and what is not, but this is not one of those examples. I think it's interesting that you can take one photograph and manipulate it and distort it to get something that is also unique.

Yum





Allison Barker - Vermeer Copy

Below is a Vermeer Painting and then my copy... which safe to say is not a Vermeer ;)and actually that's not the best photo of it either.



Monday, February 22, 2010

5. Rachel Borders: Art Changes, therefore I will Change a Piece of Art

The one phrase that really stuck out to me in Walter Benjamin's essay The Work of Art in the Age of Mechanical Reproduction was "The uniqueness of a work of art is inseparable from its being imbedded in the fabric of tradition. This tradition itself is thoroughly alive and extremely changeable" (IV). Although it has little to do with my recreation, I think that it speaks very true to the nature of art. Art has changed over the years and what people find to be art naturally has changed with it. Art is alive. And I think the nature of art is its ability to morph with time because if it didn't it would become irrelevant. Art could be considered on of the world’s oldest traditions.

For my reproduction I told a picture copy of a spread of the 2003 Vogue featuring Cameron Diaz (for all you fans out there). My goal is not just to recreate the picture of Diaz, but the whole spread as if I have copied a two-page spread of a magazine. So hopefully my final image will look like the image I have inserted above, but with a few changes. If all goes well it will be a commentary on Western Cultures idealized version of beauty. There will probably be some word changing and other surprises. I guess you will just have to wait to see.

Wednesday, February 17, 2010

Dan Cary - Live action animation without rotoscoping



I starting trying to make this effect a week or two into the semester. It's really started to come along and is now resembling something that's pretty cool. I used junky footage of my suitemate Jon (I actually just walked over with an old digital camera while he was working on a song) which is why the lighting is so bad. With good lighting, a good camera, and possibly a green screen, I think I can put together a really cool effect. The bad lighting leads to reflections which is why the face isn't well defined.

I plan on using this for my final project combined with still frames so people walk up to what appears to be a painting and it the person it's of moves every once in a while before becoming a painting again.

4. Challah "holla" Bread


Pouring the mixture onto the bread

The final French Toast

Primary Color Saucy Sauce recipe.
I don't seem to have a picture of the sauce though...

Tuesday, February 16, 2010

Do you Like Green Eggs and Ham?

Group: Rachel, Leah, Dan, and Candice.
Ours vs. Dr. Seuess's

So we loved this idea of the play on Green Eggs and Ham (Dr. Seuss to people who don't know)
We took ham. Dyed it green and cut it into the shape of pigs. Then we took hard boil eggs and deep fried them with a shell of oatmeal and pistachios. The pistachios were to symbolize the green.

The experiment ended with a green finger and a few fallen eggs, but all and all it was successful.

Here are some snapshots of all of us eating. (Don't we look cheery at 10 am)

Monday, February 15, 2010

Gourmet or Grotesque? A Gluttonous Explosion of the Conventional Chocolate Chip Cookie



VISA0100 Cooking Project
Group: Lucy S, Lucy BC, Chris, and Allison

Title:
Gourmet or Grotesque? A Gluttonous Explosion of the Conventional Chocolate Chip Cookie

Abstract:


We conducted this experiment in order to better understand the idea of the monster cookie; a cookie made up of so many different delicious foods, that it may or may not actually be appetizing. Having concocted a basic cookie batter, we went on to add ingredient after ingredient, which though they individually encompass deliciousness, combined together to become an inevitably disgusting monsterous cookie. Our experiment resulted in 44 small cookies made at the time each ingredient was added, and a monster cookie made up of 4 different batters. In the end, we found that these exaggerated "garbage cookies" were nothing short of, well, garbage.

Introduction:

This project was born of the idea of a monster cookie, of sensory confusion surrounding food. It is common to hear, “Believe me, I know it looks gross but it tastes really good!”, or “eww it looks better than it tastes” as we often ignore smell or sight in favor of taste or our misguided when we try to do the opposite. For this project we wanted to push the idea of monster cookie (inspired by Meeting Street), to look for the place where appetizing becomes disgusting. We went through many different thoughts, considered making “spring cleaning” cookies which questioned the idea of age of food by adding all sorts of contradictory cues in the form of conflicting holiday candies like candy corn ostensibly from Halloween with peeps from Easter and Hanukkah gummies. Or a break-up cake which we would dramatically drop a beautiful cake on the floor. We ultimately settled on the theme of evolution and family tree to explore these issues. We wanted to start with all of the same ingredients, have the same palette and then let ourselves loose with the batter, taking a cookie “snapshot” at each step along the way to document the mutant cookie strains.

Materials and Methods


Gather 2 1/4 cups all-purpose flour, 1 tsp. baking soda, 1 tsp. salt, 1 cup (2 sticks) butter (softened), 3/4 cup granulated sugar, 3/4 cup packed brown sugar, 1 tsp. vanilla extract, and 2 large eggs. Pre-heat oven to 375 degrees F. Combine flour, baking soda, and salt in small bowl. Beat butter, granulated sugar, brown sugar, and vanilla extract in large bowl until creamy. Add eggs, one at a time, beating well after each addition. Gradually beat in flour mixture. Stir in morsels and other bits (i.e. Butterfingers, Oreos, M&Ms, Oats, Snickers, Sprinkles, Marshmallows, Reese's Pieces, jelly beans...). Drop by rounded tablespoon onto ungreased backing sheets. Bake for 9 to 11 minutes or until golden brown. Cool on baking sheets for 2 minutes; remove to wire racks to cool completely.

Results:



Discussion:

As you can see from the photographic evidence, a true "monster" cookie is far more delicious in theory than it is in practice. The final result is entirely inedible - a concrete-like conglomerate of processed sugars, corn syrup, flour, and other decadent ingredients (including Tequila!) that would indubitably nauseate even the strongest of stomachs. The creation of this cookie raises a number of pressing concerns regarding contemporary food habits in this country. What, after all, are we actually putting into our bodies? Just because we think something is delicious does not mean it is actually possesses any nutritional worth, and yet we often continue to eat it without interrogating the processed ingredients that have gone into its production. Additionally, what effect is the overwhelmingly gluttonous appetite of the American people having on both ourselves and the rest of the world? Clearly, too much of a good thing is anything but...and, as this cookie physically demonstrates, we might be well served to think more carefully before we gorge ourselves to oblivion.

4. Surprise!



Because our concoction requires last minute cooking in order to ensure the best oral and visual aesthetic, our creation will be a surprise and posted tomorrow after class. Until then, we hope you're not allergic to nuts (or pecans specifically)!

Bestest,
Elsa and Kat

Not A Warning!


I repeat this is not a warning, the experiment has gone wrong! Cross Contamination!

Ground 0 of the Cross Contamination




05. Megan Estes and Jeanine Chiu. Recipe.




Jeanine and I started by throwing around foods we knew and were familiar with. It didn't take us long to realize that our "default" foods were totally different, as were our comfort foods.

What we settled on, in the end, was a mixture of our comfort foods: a tortellini soup my mother always made in the winter, but with Asian influence.

Ingredients: (Fresh) Pork Tortellini, Tomatoes, Carrots, Potatoes, Celery, Onion, Garlic, Herbs, Worstershire sauce, Soy sauce, Sherry, Pepper. All to taste. Simmered for a few hours, with tortellini (in this case) added shortly before serving to ensure freshness.

What we gained in cooking the food was time getting to know each other, talking about growing up while preparing versions of the foods we'd grown up with. And what we ended up with was a cross-cultural, cross-personal food to talk over, which makes you think about comfort, about family, and about people.

Plus, it tastes totally bomb.

Megan, Jeanine

Sunday, February 14, 2010

Cookies of Love




This is just a sneak peak of what is to come this Tuesday!


Wednesday, February 10, 2010


Ok here's the second design I just had to make it 10 times smaller for it to upload. I saw a picture of Rick Ross wearing a shirt with his own face airbrushed onto it and thought it was hilarious. So for one of my shirts I took a picture of my face and used tons of filters on it (I used the stamp filter for the shape). The fill is actually smaller versions of my face, which is a little hard to see because of the loss in resolution. It uses proximity and closure mainly to convey the form.



This one is just fun. I read a very funny article analyzing 8bit video game characters from a mock serious zoological perspective to translate them into 3D characters. I took the rough sketch of pacman that the writer did in probably 2 minutes and made it into something that I at least would wear on a shirt.

4 Dan Cary Shirts

This is probably the coolest of my shirt designs. It's based off the term "father of our country" I'll try and upload the other shirts but bloggers been misbehaving for the past hour and this is the only one that's managed to upload so far.

04. Megan Estes. Tshirts.


Yo dudes.

As I was saying in a previous entry, the idea I first thought of when designing my shirt was, "Oh, you're a ___." Except for the second shirt, which was just me messing around with photoshop.

front|back

front|back

front|back



the rest of Lucy

Lucy's Shirts





03. Jeanine Chiu - tee-shirts

01. Thomas Kinkade believes that every household should own a painting of his. I take this one step further by creating a t-shirt that features a Paint By Numbers version of the first Google Image search of his paintings. This t-shirt can be marketed in two ways: 1) as featured above, where the unfinishedness is part of the end product, or 2) where a blank copy is packaged with a set of paints and paintbrush that will allow the consumer to paint in the shirt him / herself, thereby providing a truly paint-by-numbers recreation of Kinkade's work.


02. We at 202 Power affectionately call our house The Garlic Spot because everyone loves it and uses copious amounts of it in our cooking. This image was hand-drawn before being scanned and photoshopped to create an intimate, home-made feel that is reflected in the colour palette.

03. Inspired by swine flu and reports by Egyptian media last May that swine flu features "pigs that explode" (part of an extended metaphor of swine flu as terrorist), this t-shirt design plays on the phrase "swine flu" (swine flew) by featuring flying pigs... on/in a bomb. =O